Well, as you may have guessed from my Blog before last, I am a great fan of Handel, especially Messiah (NOT "the" messiah, philistines).
I guess I can't quite put my finger on quite why. Maybe because it encompasses all the styles Handel used in composing, is shockingly beautiful, is one of those things that, no matter how badly it goes, no one seems to notice anyway (it also makes me laugh in the All we like sheep chorus, but never mind that). I'm the worlds biggest atheist however, so it isn't the religious side.
I could go on about how much I adore it, but have some personal highlights.
ok Part one (which is the birth of christ
Basically the tenor solo the choral aspect of it. Comfort ye is BEAUTIFUL and ev'ry valley is a stupendously uplifting piece of work. The tenor here is Christopher Hogwood, his sing of Comfort ye is the best I have ever heard (and I have heard SEVERAL different people attempt it!)
one of the many brilliant Sop/alto solos. Here done by Emma Kirkby, stunning voice, I'll let that do the talking.
I love this! This recording starts with the rect. and here instead of a sop/alto you have a very good counter tenor.
Again, this recording starts with a rect. He shall feed is flock is one of the lesser know solos (if that's possible when talking about messiah).
PART 2 (death of christ)
marvelously overblown on the visuals there. Love this though.
WE LIKE SHEEP HA. Ok, when I am mature enough to get past that, this is a great aria, lots of semi quaver runs to keep people on their toes!
It's light and quite bouncy. Me like
This basically (with the exception of the Hallelujah chorus, which everyone knows and I don't like) introduced me to Messiah. I was later advised to give some other sop arias from it a nose, and I never looked back. This is really short, really beautiful, and in a fairly comfortable range really.
PART 3 (resurrection)
Like I was ever going to leave this out? Without a shadow of a doubt, my FAVOURITE part of the whole thing, generic perhaps, but who cares? There is the beginning bit that I think most people know shockingly well, and then towards the end, from the "and though worms destroy this body" part is where it just get more beautiful, I think at the very end, "the first fruits of them that sleep" part is just possibly one of the most stunning few lines of choral music ever written. Completely lacks the huge amount of semiquaver runs heavily used by Handel.
This also includes the rect. before it. This is a bass solo, which I think is a little bit wonderful. Very very very long, I don't envy the person sining it, but wonderful. Got those semiquaver runs, and some of the passages HAVE to involve some kind of super human lung capacity.
Yes another sop solo, and yes, kirkby again, I told myself I was going to use a different recording each time, but I loved this one. I love this, just because...
This includes those final gloria/Amens. So much fun to listen to, and probably a bit of "oh thank God, we have nearly finished" style adrenaline rush.
Thank you very much for reading